The Cassie Edwards Drinking Game!

This is a little tougher, because it requires you to actually read this useless garbage. Fortunately you’ll be blackout drunk before you finish, so you won’t remember any of it.

Step 1: Head to a used bookstore and find the Cassie Edwards novels. Close your eyes and select one at random. If it has the word ‘Savage’ in the title, find a designated driver.

Step 2: Drinks are assigned for each of the following ‘plot’ points. I’ve broken these up into three categories: “Savage,” “Non-Savage,” and “General.” The “Savage” points apply only to books with “Savage” in the title, because all of Edwards’ “Savage” books apparently revolve around some bizzaro-world version of Native Americans, and there are some special things to go with that. The “Non-savage” list applies, obviously, to her filthy and witless wanderings outside of the ‘ME JOHN BIG TREE’ sub-genre. “General” applies to both.

  • If the female protagonist is under 18, drink.
  • If the female protagonist is a virgin, drink.
  • If the female protagonist is a pure, untouched virgin, unfamiliar with the ‘sight’ of a man, yet cheerfully casts off her clothes and schtupps the male protagonist out of his wits within the first five chapters, drink.
  • If the female protagonist’s mother is dead at the beginning of the novel, drink.
  • If she’s not dead at the start, but dies before chapter 8, drink. Drink twice if the female protagonist is absent for the death because she’s illicitly snuck off to be with the male protagonist.
  • If the female protagonist’s father is an outrageous bastard, drink.
  • Drink every time you see the word “throbbing” in connection with any part of the male anatomy (especially that part).
  • Drink every time a bosom heaves.
  • If the female protagonist has a friend who is described as “not beautiful in the conventional sense,” “thick,” “bawdy,” or some other variant of “unattractive but we’re trying to be performatively polite about it,” drink.
  • If the female protagonist is raped by the male protagonist and enjoys it, drink (I’m not even kidding).
  • Any time a phrase describes something that simply cannot happen while simultaneously invoking a bad romance novel cliche, drink. (Example, “‘Oh, Royce, I love you so!’ she sighed breathlessly.” You can’t sigh breathlessly. You have to breathe to sigh.)
  • If the male protagonist is cast as some sort of criminal – pirate, grifter, highwayman, etc. – drink. Drink again if it turns out he’s not really a pirate/whatever.
  • If there is a subplot suggesting that the male and female protagonists may actually be brother and sister, drink twice. If it turns out they actually are, drink twice more. If they continue having sex in spite of that, please consider donating a bottle of MD 20/20 to the “Help Cassie Edwards Move Home To MygoshijustLOVEmyfamily, Southwest Virginia” fund.
  • If the male protagonist’s muscles ‘ripple’ at any point, drink.
  • If the male protagonist is described at any point as ‘chiseled,’ drink.
  • If the word ‘loins’ appears referring to anything but a steak, drink.
  • Any time a character speaks out loud to themselves in place of a block of thought, drink. (I’m convinced that Edwards is aware of no other literary style with which to render thought.)
  • Any time a sex act is described as ‘filling her,’ drink.
  • Any time female genitalia is described as ‘her wetness,’ ‘her dampness,’ ‘her moisture,’ or ‘her heat,’ drink. Drink twice if the word “dewy” or “dew” is used to redundantly describe the aforementioned moisture.
  • Any time male genitalia is described as ‘his hardness,’ ‘his need,’ or ‘his love,’ drink.
  • If the ‘plot’ of the book involves finding lost treasure, a misplaced inheritance, or rightfully reclaiming one’s birthright, drink.
  • If the female protagonist’s father dies, drink. Drink twice if he’s dead before Chapter 7.
  • Every time you see a snippet of verse from an obscure poet that reads suspiciously like doggerel from a Hallmark card, drink. Drink twice if it’s the preface to the first chapter! (Thanks Katie!)
  • If the mother or father of the female protagonist turns out not to be her mother or father, drink. Drink again if her mother was kidnapped by her father but decided to stay with him of her own free will because she just loves the bad boys.
  • Any time you see dialogue that rolls off the tongue like a brick – thick, stilted, unnatural, heavy, and in no way related to any mode of speech ever employed by a human being, drink. (Bonus points may be involved; see the ‘Non-Savage’ section)
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