[Edit, Feb ’24: Pearl have released a very interesting take on this concept, which you can find at https://www.musiciansfriend.com/accessories/pearl-eliminator-demon-drive-double-pedal and https://www.musiciansfriend.com/accessories/pearl-p3502d-demon-xr-direct-drive-double-bass-drum-pedal. Both of these are “direct drive” pedals, and both were – in an interesting bit of synchronicity – released around the same time I was writing this article – closely enough that I didn’t know about them yet, but also hadn’t been watching closely and frankly didn’t think to look, as it’s long been a closed case in drums.
I’ll update this a bit more when the site rebuild is done.]
For my regular audience this article’s a bit of a departure from norm (and is probably the sort of thing I should’ve been doing more of when I was working at Musician’s Friend in the late 2010s!), but we’re going to take a look at a legendary bit of music equipment and its list of idiosyncrasies, and then explore the ultimate question: why has there never been a double Speed King pedal?
For drummers that question will make sense and most of them will probably know the answer instinctively, but it’s an interesting set of observations, an interesting (and unsolved) engineering problem, and a fun bit of music history that I’m very well acquainted with as my first bass drum pedal was a Speed King, and I played it for about a decade as I was coming up. Very familiar with it, and it’s such a unique bit of work that its little tricks and trials tend to stay with you. (Note the navigation, it’s a multi-page article.)
The Speed King is a different setup altogether. This pedal is neither chain nor belt driven, but rather what’s called a “direct drive” mechanism where the chain or strap is replaced with a solid, inflexible linkage mounted between the pedal and the mallet mechanism.
If you’re a little mechanically inclined – and it’s okay if you’re not! – you can imagine how this arrangement creates a much more precise and responsive playing situation. Especially for us old-school, self-taught, toe-down rockers, it’s an amazing tool.
The Speed King has been used on thousands of your favorite songs and by nearly every notable drummer ever including Ringo Starr, Melvin Parker, Stevie Wonder, and the man who truly made them famous Led Zepplin’s John Bonham. Bonham’s playing style includes some mind-bending bass drum work that people swore he was using two feet for – legendarily he used to play a double-bass kit and got chewed out so often for playing double when he wasn’t, he chucked the second bass drum (long before Zep), but I don’t know if that’s true, just one of those stories you hear. True or not, the man was absolutely amazing with his right foot on that bass drum, and it wasn’t long before a whole lot of people decided the reason his feet were so quick was because of the pedal he was using…and I can tell you as a drummer who’s used them extensively that there is definitely merit to that argument and it’s no slight against Bonham to say so.
In spite of the mechanical superiority of the SK, it does have some drawbacks that are inherent to the design, which has made them sort of a debatable legend in drumming. Personally, given a blank check, I’d rather play with two drums and two SKs than one drum and anything else…but with a blank check I’d be able to afford the extra maintenance and a kit that’s built to be tuned to itself!
